Listen to Open Sound New Orleans' site-specific recording at the Milne Boys Home made during our first day of painting:
#53 "Birds And Insects During The "Field Guide Installation"
Click on photos to enlarge.
ARTIST STATEMENT
"My vision for the Milne Boys Home was to paint the asphalt driveway with approximately 5000 simple black bird silhouettes that were individually cut from original drawings and applied with Industrial Zone and Marking paint directly onto the pavement. Much of my work focuses on the natural environment and its inherent connection to our lives. Considering there are approximately 460 bird species in Louisiana I will be stenciling a variety of these species in an effort to celebrate and raise consciousness about our unique and fragile environment.
The bird silhouettes covering the ground are designed to create a sense of birds in flight above, reminiscent of shadows coming from imaginary birds in flight. In reality these bird species would never interact with each other, but in this project the diversity of bird species migrating together symbolizes the need for human diversity to walk and work together to rebuild our landscape. The graphic nature of the black silhouettes can symbolize the absolutely critical state of our environment – it is a “black and white” issue that cannot be ignored. The eco-system that many of our native and migrant birds depend upon is under attack; as landscape changes or disappears the birds are threatened with extinction; many see this as the beginning of the end of life as we know it. Birds are important pollinators - they plant trees, flowers, fruit, eat biting insects, and deliver messages about our shared environment to those who are intuitive enough to listen. When powerful human leaders dismiss our wounded landscape, it is birds that can help regenerate it. Leading "Field Guides'" migration through the Milne Boys Home driveway are images of hummingbirds - which for the Biloxi Indians represented the symbol of truth. The word Biloxi means “First People”. This native tribe from Mississippi became nearly extinct, but the few survivors ended up in Louisiana.
After experiencing the power of Katrina while sitting in my house, the most immediate, haunting memory after the storm was the deafening silence. There were no birds for days. It seems appropriate that this project can bring attention to birds who in turn bring life to abandoned areas in post-K New Orleans. I hope that "Field Guide" will also support the Milne Foundation in their efforts to renovate this amazing property and reinvigorate the Milne Boys Home as a destination for academic study and community activism."
ARTinACTION would like to thank the Milne Boys Home, Whole Foods Market, and the ARTinACTION volunteers who made "Field Guide" possible. Special thanks goes to Michelle Pontiff, Christian Rapeel, Laura Summers, and David Wray for their tireless devotion and hard work on behalf of "Field Guide".
Ms. Bishop is represented by the Arthur Roger Gallery in New Orleans.
Please also view ARTinACTION Site #26 "Black, White, Blue" which was initiated at the Milne Boys Home in the Spring of 2008.
1 comment:
Field Guide is a moving tribute that aesthetically brings attention to our local environment and indigenous species. Currently, we have a unique opportunity due to 'Katrina Awareness' in the Gulf Coast area, to do something to help restore balance in our native bird population, and our environment as a whole. Jacqueline Bishop's bird silhouettes in front of the Milne Boys Home will be a cautious reminder that we are all responsible for maintaining a healthy ecological balance between our local bird population and our environment.
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